Šonedēļ internetā 28. Par rakstīšanu

 Rakstīt jau nu mēs tā neiemācīsimies, bet šeku reku trīs rakstiņi par to pašu. Divi ļoti atšķirīgi fantāzijas rakstnieki runā par padomu došanu un neuzklausīšanu.

 Guy Gavriel Gay On Not Giving Advice:
 ”If you play pick-and-choose with the advice tossed out there is no ultimate harm done. Someone ‘famous’ says something that resonates for you, you have that to work with. Maybe you write that way anyhow? But if that famous person says something that runs utterly counter to your own work method, your creative approach, your life options (“Jog five miles every morning before sitting down to write.”), I find myself worrying about or irritated by what I’m seeing, depending on time of day and what I am drinking (coffee or scotch). “Drink three glasses of Highland Park each time you sit down to write.” (Expensive advice, that would be. Also a tad life-damaging.)
 The creative process is deeply and profoundly individual. That applies to the Nobel laureate and the undergraduate poet and the person keeping a journal of his or her dreams and desires.
 [..]
 There is so much variation to the writing process, it feels wrong to be prescriptive – from where I sit. If my arm is twisted (hard) to solicit advice I’ll urge writers to travel if their life allows it, because travel does important things to us as people, and that affects us as writers. I try to steer younger writers to read outside their comfort zone, their favourite genres and styles, because we get stretched as people by doing that. But I try hard not to get drawn into technical advice.”

 Theodora Goss Craft and Art:
 ”I believe that there is a difference between craft and art. Craft is absolutely essential: to be an artist, you must know the craft of writing. You must understand how words mean, how sentences are put together, how to construct stories. When I teach writing, I teach craft. Art goes beyond craft, and has to do with what a writer, as an individual, brings to writing. Art is in the way Virginia Woolf explores consciousness. In the way George Orwell writes about politics. Both Woolf and Orwell make stylistic choices, write the way they write, because of what they’re focusing on, because of their convictions about reality. I can’t teach a student to write like Virginia Woolf. I can only teach a student why she wrote as she did.”

 Un tad vēl intervija ar vietnes Awesome Indies radītāju, kas nopietni un apņēmīgi mēģina atsijāt pašpublicēto grāmatu graudus no pelavām:
  “You must have some stories to tell about the books you’ve had in – what’s been your overall experience of self-published books and their authors?

 Very mixed. Some are so brilliant that Jen Blood and I awarded them the Seal of Excellence as soon as we instituted it, but aprox 60% of books submitted to our reviewers are rejected, and that’s from those who think they’ve had their books properly edited. (We tell authors not to apply unless they have had them professionally edited.) So unfortunately there really is a lot of substandard books out there. The difficult ones are on the edge, and that’s why we have a group of back up readers to give us second opinions.”

Posted on 20.08.2013, in Kas cits and tagged , , . Bookmark the permalink. Komentēt.

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